Under the title 'I’ve Learned to Swim on Dry Land,' a poetic micro-narrative by Cuban writer Virgilio Piñera, this exhibition revolves around language, silence, and the intersection of art and power. It highlights the critical voices of dissidents like Piñera and others who faced regime repression, while documenting the complexities of post-revolutionary Cuba and its cultural ramifications. The exhibition features various audiovisual and performative works that dissect notions of revolution and identity, considering the implications of institutional representation and the cultural divide between Cuba and the United States. It invites visitors to reflect on colonial histories, cultural processes, and the quest for identity in a fractured landscape, making it an essential exploration of Fusco's artistic engagement and activism.
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